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Just as Brits were more absorbed by Byron's life than his work, and Australians were absorbed by Shane Warne's antics more than his artistry, J. D. Salinger grew more famous for retreating from public life, than for his masterpieces.
The tragic events that lead John and Sabiha to establish a pastry shop in Melbourne arise from Sabiha's desire for a child. Author Alex Miller's eye is deeply humane, recognising the wildness of human beings and the consequences of driven behaviour.
From Pullman's His Dark Materials and Tolkien's The Lord of the Rings to Lewis' Narnia novels or the tale of Mr H. Potter, the series is often where young readers enter the seething and delightful universe of books, in a way that sets them up for life as readers.
A few weeks ago Tim Winton's Breath was awarded this year's Miles Franklin Literary Award. This video trailer is a poetic combination of strong images, haunting music, quotes, and eloquent interview with the author.
The rule seems to be that one's attitude to Harry Potter should be either obsession, derision, or total lack of interest. If that's true, I'm in a minority: I am an equivocal fan. A few of the books are great. At least one is bloody awful. The movies are similarly hit-and-miss.
The Archbishop of Canterbury Rowan Williams offers a view of dialogue that transcends merely passing information on to a passive listener. True dialogue changes the speaker as much as it does the hearer, and poses a model for better understanding God.
An ancient brotherhood of scientists and artists with a beef against the hierarchy reemerges to try to hobble the Church. The Pope is dead, and the Church leaders, at their most vulnerable, must rely on an old nemesis to be their saviour.
That Dostoevsky is said to have developed a 'theology of writing' does not mean he arrives forearmed with a set of dogmatic truths. Rather, he practises the narrative and spritual discipline of allowing each character to be heard.
The narrator of Philip Roth's novella The Dying Animal is self-indulgent, narcissistic, and driven by the urge to sexually conquer. The film Elegy transposes Roth's log of masculine decline into a mournful lament for the dead.
An overweening trust in military muscle has led Israel into this campaign; it is hard to overlook the parallels with the Shock and Awe curtain-raiser to the Iraq debacle. It seems there is an unspoken assumption that Palestinian lives are not so important as Israeli ones.
Church political pressure works against engaging young people in meaningful conversation. The value of conversation is often seen to lie less in the search for truth than in articulating positions.
Elias' belief in freedom sees him join Che Guevara in an African campaign, and insurgent movements in Angola and Somalia. He learns that ideological commitments mask simpler human desires for riches, revenge, status and sex.
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