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Keywords: Reader

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    The book corner: The Escape Artist

    • Gillian Bouras
    • 11 October 2022

    Jonathan Freedland’s book is an extremely harrowing tour de force: at one stage I could read only a chapter at a time. But by the end I had been reminded of the power of the human spirit, and of the way in which some people, those with a sense of mission, can endure almost any trial. Resilience is a great gift.

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  • ARTS AND CULTURE

    A moral compass at the centre of J.K. Rowling's Ink Black Heart

    • Juliette Hughes
    • 07 September 2022
    4 Comments

    So far it hasn’t been easy to find a review in Australia from someone who has actually read the sixth and latest book in Rowling/Galbraith’s Cormoran Strike crime series, The Ink Black Heart. l wonder if it is too much to ask for people to simply read books (any books) before holding opinions about them.

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  • ARTS AND CULTURE

    The book corner: Telltale

    • Gillian Bouras
    • 02 September 2022
    1 Comment

    Australian cultural icon and erstwhile publisher Hilary McPhee calls Telltale ‘a rare thing, an ingenious memoir,’ and she is right. It is interesting and reassuring to note that books about reading and recollections of reading habits seem to be proliferating. Perhaps such writing is a defence measure against worrying developments like universities in England, for example, axing their English Literature courses.

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  • ARTS AND CULTURE

    Stray thoughts: Going doolally over a box of fluffies

    • Michele Frankeni
    • 16 August 2022
    1 Comment

    Headlines in print (newspapers and magazines) have some heavy lifting to do. They need to convey the essence of the story in as few words as possible, be enticing and hopefully be funny, clever or both. In traditional news terms, you should know what the story says from the heading, intro and first paragraph. However, the funny thing about being funny (especially with word play) is you’re assuming your audience knows the same things you do.

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  • ARTS AND CULTURE

    The book corner: An Odyssey

    • Gillian Bouras
    • 29 July 2022
    2 Comments

    Daniel Mendelsohn lectures in classics at Bard College, a liberal arts institution in New York State. His retired father, aged 81 in 2011, regrets gaps in his own education, and asks to sit in on his son’s course of seminars on Homer’s The Odyssey. Professor Mendelsohn agrees, and Jay Mendelsohn joins a class of 18-19 year-olds. Later, father and son go on a cruise that retraces The Odyssey where they discover: is home a physical place, or something you carry around with you or within you? 

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  • MEDIA

    The Pope, Jesuit mission and Eureka Street

    • Andrew Hamilton
    • 07 July 2022
    3 Comments

    In a recent meeting Pope Francis met the editors of European Jesuit cultural magazines. As usual in such meetings he did not give an address but invited the participants to ask questions. The questions ranged across a wide area, reflecting the different readership and religious culture of the magazines. Underlying the Pope’s responses lay a challenging and coherent approach to the Jesuit mission and to communication that invites self-reflection also among Jesuit magazines and their readers outside Europe.

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  • AUSTRALIA

    Deliver us from our necessities

    • Andrew Hamilton
    • 16 June 2022

    After the Election media focus has now switched from the fresh personalities and style of the new Government to the difficulties that face it. These include the financial pressures created by heavy debt and inflation, the constraints imposed by pledges made before the election, an energy crisis, international conflicts and their effects on trade, and differences within the Party. Faced by such challenges the Government is unlikely to be able to fulfil its promises and its supporters’ hopes.

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  • ARTS AND CULTURE

    A felicitous career

    • Andrew Hamilton
    • 28 April 2022
    4 Comments

    The quality of Niall’s writing is evident in An Accidental Career, though easily unnoticed. It lies in the clarity of her thought, her exact choice of words, the alternation of anecdote and reflection and the self-effacement that creates a direct link between the reader and the work itself. Her writing has the rare gift of simplicity. The precision of the title is characteristic of the book as a whole.

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  • ARTS AND CULTURE

    Opening up the world: The Utopian vision of Cole’s Book Arcade

    • Cherie Gilmour
    • 19 April 2022
    6 Comments

    Edward Cole understood that books encouraged community. The businessman could rub shoulders with the tramp in his Arcade. Now, in an age of division and isolation, more than ever we need spaces which facilitate community; light-filled cathedrals dedicated to the love of knowledge and stories, and their power to cross borders, politically, ideologically and culturally.

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  • ARTS AND CULTURE

    Jane Austen's guide to flourishing

    • Andrew Hamilton
    • 02 February 2022
    11 Comments

    Jane Austen’s exploration of a narrow social world illuminated issues central to public life in our own world. In particular, the importance of character in building harmony in her domestic world raised questions about its place, presence, and importance in political life today.

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  • ARTS AND CULTURE

    Revisiting American Dirt

    • Gillian Bouras
    • 04 November 2021
    14 Comments

    Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.

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  • ARTS AND CULTURE

    The promise of alchemy

    • David Rowland
    • 01 November 2021
    8 Comments

    Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.

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