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That the Catholic Church in Hong Kong has not only chosen to remain silent, but also enforce this silence through the banning of a song, is itself a political act. Considerations as to whether this silence is a consequence of the Vatican's recent agreement with the PRC about the appointment of bishops within China do seem to have merit.
The dirt ploughed easily under our bulldozer fists. After rain it was still dust underneath; roadworks were brisk. Kangaroos down from Mt Ainslie pooped in our miniature town, new boulders for the centre of our roundabouts. Around and out — the arteries in the front garden ended in neat driveways bumper to bumper with matchbox cars.
When I was a child and was asked 'How are you?', only once did I reply, 'I am good'. I still remember the rebuke from my Aunty Ivy, who explained that it is not for me to judge if I am 'good'; better to opt to be 'well'. She would be cross were a prime minister to go around asking 'how good' we are.
Raised by Politically Pink Parents, I was in my youth rather wary and suspicious of capitalism and capitalists. Eventually I realised that the only thing wrong with money is that not everyone has enough of it. We hear too much about arch-capitalists like the Trumps and the Koch brothers.
In feminist circles, period shaming and the pros and cons of alternative menstrual products are well-trodden topics. So when I watched the ad from Libra, I saw it for what it was: a mainstream response to a movement that had been going on for years. The #bloodnormal campaign isn't revolutionary. It is, however, still necessary.
There are thousands of Australians old enough to remember: hot summers starting before Christmas and tailing off into autumn in the weeks after their return to school; the buddings and flowerings and wiltings in suburban gardens and country main streets; the first chill in the air as they unwrapped their Easter eggs ...
The democracy movement in Hong Kong, with its ideal of political freedom and its embodiment of it in spontaneous and decentralised organisation, is one of many such revolutions, most of them short lived. It is inspiring because of its idealism, and poignant because its precedents demonstrate the power of the forces arrayed against it.
The betting among many observers is that the current chaos will end in tears. The massing of troops at the border is one sign. But the biggest thing that suggests that the PLA will march in and declare martial law is that the Chinese Communist Party has what we call 'form'.
The widespread despair about climate change, and the seeming inability of progressives to offer a solution, provides fertile soil for ecofascism to grow. In a sense, given the scale of the crisis, their apocalyptic vision of an environmental race war can sound more realistic than the pallid centrist nostrums that everyone knows won't work.
I wasn't born here. My family migrated to Australia when I was young and so I enjoyed the privilege of growing up without the war and discrimination that has marred my birth land, although there is a different type of discrimination that I have had to face being an Asian in Australia. In being here though I know I am living on stolen land.
As a celebratory anthem, Beethoven's 'Ode to Joy', was played, the Brexit MEPs, all 29 of them, turned their backs, thus insulting the Parliament, the young and talented musicians, and Beethoven himself. They clearly did not realise they were demeaning themselves by acting in this fashion.
The main character has a black partner, and her best friend is a black lesbian. Yet there is no exploration of race politics. We are supposed to believe that a world which is both incredibly class-driven and misogynistic is also non-racist. Even though we know through intersectionality theory and basic world history that this never happens.
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