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A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.
It is ironic that Hanson thrives on the perception that she is an authentic outsider against 'the system' when in fact she is part of that system. Think about how she is constantly given paid platforms by television networks. She hasn't been silenced by 'the system', her voice is heard and has been amplified. She is also no amateur, she is a professional and knows exactly what she is doing. She is not some 'battler' being picked on, and that needs to be emphasised.
This is the scandalous state of Indigenous affairs in Australia. Aboriginal and Torres Strait Islander people and their communities literally face a life and death struggle against the state itself. These are not isolated incidents. They represent the intrinsic failure of our society to heed the concerns of communities themselves, and to engage with fellow citizens in a dignified and respectful way. The failure is so grave that state treatment meted out to Indigenous Australians is actively harmful on a large scale.
At the epicentre of all this is a place where young, queer men and women had felt safe and free to be themselves. The dead are almost all black, brown, gay and working class. If, as Dr Cornel West has often said, justice is what love looks like in public, then injustice must be what hate looks like, and there is perhaps no greater injustice than murder. Mass murder is hatred realised in full grotesque proportion. This means is that the little things we do to validate hatred are not inconsequential.
The irony of trying to negate these stereotypes is that in doing so, we are still cheapening asylum seekers to political tools, stripping them of their humanity and multiplicity. Aiming to counter such rhetoric as Dutton's with stories of high-achieving refugees plays into a toxic game that legitimises the same negative stereotypes by engaging with them. Just as invisibility dehumanises asylum seekers, so does the hypervisibility we attribute to a select few stories.
On the day of the Invasion Day rally in Melbourne, I was abused for wearing a pro-Aboriginal rights t-shirt. I wasn't shocked. Indeed, I even expected it. It is not the first time I have been abused as an Indigenous activist on Australia Day. What did shock me were the media reports on the rally. When I read that the densely packed, energetic, noisy crowd consisted of only 150 people, I was surprised, to say the least. I and other seasoned protesters estimated the crowd at around 3-5000.
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
In September Sydney's Daily Telegraph ran the headline 'Schoolyard Terror Blitz', reporting that 'schoolteachers will be given access to radicalisation information awareness kits explaining how to identify students at risk and what they should do to intervene as concerns grow about the rise of teen terrorists'. As the government prepares to address the involvement of schoolchildren in violent extremism, a controversial program in the UK shows a dangerous path that Australia must avoid.
It is naive to equate racism with individual acts of bigotry. The current anti-Muslim and anti-Arab sentiment for instance goes deeper than sporadic attacks against individuals. Australian jobseekers with Middle-Eastern sounding surnames must submit up to 64 per cent more resumes than someone with an Anglo name in order to secure an interview. People may not actively engage in racist displays against Arabs, but that doesn't mean they are willing to spend time in close proximity to them.
400 years ago, when Mauritius was still uninhabited, a cyclone thrust three tall ships of the Dutch East India Company against the coral reef. As the ships were ripped apart and thousands of Ming porcelain pieces on board smashed, the crew fought for their lives, but 75 men including the fleet commander Admiral Pieter Both, drowned. I picture that Sunday afternoon in the 1980s when my mother and I were wading in the water close to a familiar beach and found washed up shards of the porcelain.
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