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Keywords: Storytelling

  • RELIGION

    Jack baptised himself

    • Julie Perrin
    • 16 July 2019
    10 Comments

    The first time Jack came to the church he baptised himself. The font was new, the water inviting, and he dunked his ten-year-old head right in. The font had recently been installed in the foyer on a sculpted piece of redgum. The brief for the designers was to make it accessible to all ages. They were delighted to hear of its instant appeal.

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  • AUSTRALIA

    On first reading Boochani on Manus

    • Andrew Hamilton
    • 07 May 2019
    10 Comments

    No Friend But the Mountains deservedly won an Australian prize but was considered ineligible for others because the writer was not Australian. The book itself mocks that exclusion. Boochani's years on Manus Island branded him as Australian in the same way African slaves became American by the brand American owners burned on to them.

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  • AUSTRALIA

    Opt-out not the answer for organ donation

    • Sandi Parsons
    • 21 March 2019
    6 Comments

    The key deciding factor for both opt-in and opt-out systems requires that next-of-kin provide consent. Without this consent, organ donation will not proceed under either an opt-in or opt-out model. As such, education and awareness, and an understanding of organ donation as a gift, is the best way to raise organ donation rates.

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  • ARTS AND CULTURE

    Melbourne punks are at the forefront of protest

    • Celeste Liddle
    • 18 December 2018
    3 Comments

    While Melbourne has long been the city of protest, it is also a major global centre for quality protest music. The songs are defiant, political, loud and proud; they're staunch, they're angry, they're educative, they're funny and they demand to be listened to. These local bands are full of women, queer-identifying people, or people of colour.

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  • AUSTRALIA

    Finding myself through First Peoples' stories

    • François Kunc
    • 14 September 2018
    11 Comments

    Place and identity are fundamental for each of us. They are what our First Peoples had taken from them. In thinking about who I am, I have come to the conclusion that without understanding our First Peoples and their story as told by them I really can't understand myself as an Australian.

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  • MEDIA

    Trickle-down white feminism doesn't cut it

    • Laura La Rosa
    • 27 June 2018
    16 Comments

    #MeToo, a movement founded and nurtured by Tarana Burke (a civil rights activist and a woman of colour), was intended to be collective and accessible. By contrast, in Australia we are seeing a mainstream picture of women's liberation that ignores a longstanding struggle for diversity, genuine inclusiveness and radicalism.

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  • ARTS AND CULTURE

    Quiet pilgrimage of an ageing atheist

    • Tim Kroenert
    • 16 November 2017
    2 Comments

    Lately Lucky has death on his mind, and these and other various acquaintances serve as stars by which he navigates his close-held fears of impending oblivion.

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  • MEDIA

    Why having a female Dr Who matters

    • Neve Mahoney
    • 27 July 2017
    12 Comments

    It was recently announced that the thirteenth iteration of the main character in Doctor Who will be played by Jodie Whittaker. A woman. In 2017, the casting of a white woman in a major TV role is hardly revolutionary, except that the role is the Doctor, a regenerative alien who can take on the appearance of anyone, but has for 12 iterations tended towards the persona of a quirky British white man.

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  • AUSTRALIA

    Unity on the lamb in the ethnocracy of Australia

    • Ann Deslandes
    • 20 January 2017
    12 Comments

    Like all authorised generalisations, this luminous, unified vision of Australia contains truth, exaggerations, and lies. As well as being a globally known story, it's also the story Australia most likes to tell itself; it sings through ideas like the lucky country, the land of the fair go, the land of the long weekend. Social research on Australia tells a more complex story. Australia is in fact an ethnocracy - a state that is formed in the image and for the benefit of a dominant ethnic group.

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  • ARTS AND CULTURE

    Refugee children process trauma through drama

    • Tim Kroenert
    • 21 September 2016
    1 Comment

    At a Sydney school, a group of teenage refugees come together to share their stories, first with each other, and then with their friends and families via a live theatrical performance. Treehouse Theatre is run by three dedicated teachers, who facilitate the sharing, and help transform the children's stories into scripts that can be performed. Their stories are yet another reminder of the human cost of conflict, and of policies that exclude and further traumatise those who are fleeing from it.

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  • ARTS AND CULTURE

    Singing and subverting White American history

    • Tim Kroenert
    • 14 April 2016
    1 Comment

    The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.

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  • ARTS AND CULTURE

    Gentle view of an Irish-American migrant experience

    • Tim Kroenert
    • 18 February 2016
    1 Comment

    Eilis' profound homesickness is evoked by the letters she composes for and receives from her long distant sister and mother. Her sense of awe at this new world is revealed in her interactions with the other, more brazen boarders; and at work, where she is chided by her manager for being too shy with customers. Gradually, familiarity and opportunity allow her to grow in confidence. Her coming-of-age is defined as gradual self-empowerment through the making of small, and sometimes large, choices.

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