Keywords: Tim Kroenert

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  • MEDIA

    Why the media downplays Invasion Day

    • Celeste Liddle
    • 30 January 2020
    20 Comments

    At what point is the media going to realise that the Invasion Day rally, which has been going on in some form or other since 1938, is not going away and, indeed, is growing? I'm convinced the media don't want to report Invasion Day, as reminding the public to fear Indigenous people and our rights has been their practice for centuries now.

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  • MEDIA

    Editors' Picks: Best of the Decade

    • The Editors
    • 20 December 2019
    6 Comments

    Our team of editors have dug through the past ten years' worth of Eureka Street articles to nominate their favourite pieces published between the start of 2010 and today. Check out our list and then jump into the comments to tell us what are your picks of the decade and why.

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  • RELIGION

    The gifts of being a priest with a disability

    • Justin Glyn
    • 17 October 2019
    15 Comments

    In some ways to be a priest with a disability is to be at a strange advantage. We tend to think about priesthood as a gift and a calling — and so it is. It is not, however, about merit, of saying 'I am better than you / uniquely gifted'. Instead, it is a call to enter the hurts and joys of other people's lives from a position of weakness, not strength.

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  • ENVIRONMENT

    After the climate strike

    • Bronwyn Lay
    • 23 September 2019
    11 Comments

    These strikes aren't solely sites of protestation but rather a chance to step out of the individual grey loneliness to come together for our collective future in intergenerational solidarity. There is something powerful and visceral about putting your body on the street, in the public forum, with other bodies and being vulnerable together.

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  • ENVIRONMENT

    Climate protest is existential

    • Tim Robertson
    • 20 September 2019
    5 Comments

    Anyone at Friday's climate strike couldn't help but notice just how much the terms of the debate have shifted in recent years. The crisis is one of being. Climate change denialism isn't simply a political position anymore. To deny the science is to embrace nihilism; it is to be complicit in one's own extinction.

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  • ARTS AND CULTURE

    Meet the robots who would be human

    • Tim Kroenert
    • 22 February 2019
    1 Comment

    More Human Than Human's exploration of the history and present reality of artificial intelligence is not a tale of terror. It is a thoughtful and nuanced engagement with the people who are making, using, or thinking about AI; those who have been touched by its life-changing potential, or come a-cropper of its more sinister aspects.

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  • ARTS AND CULTURE

    A bad trip to the pits of human experience

    • Tim Kroenert
    • 29 November 2018
    3 Comments

    The cast of mostly unknowns is multiracial and spans the spectrum of sexual orientations and gender identities. Not long ago that might have seemed transgressive, but these days it seems like the least that could be hoped for from a piece of mainstream entertainment.

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  • ARTS AND CULTURE

    Fake news about 'fascist' Queen

    • Tim Kroenert
    • 01 November 2018
    20 Comments

    Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.

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  • ARTS AND CULTURE

    Faith through a different lens

    • Tim Kroenert
    • 15 August 2018
    1 Comment

    Julianne Nguyen turns a smartphone, webcam and head-mounted go-pro to the purposes of self-examination. A child of Vietnamese parents but born in Australia, she practises Christianity and Buddhism, and is trying to parse these various elements. 'I'm Australian. I feel Vietnamese,' she says, then chants: 'West. East. No, West. No, East.'

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  • ARTS AND CULTURE

    Comedy and trauma in Nanette and Funny Cow

    • Tim Kroenert
    • 01 August 2018
    1 Comment

    Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.

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  • ARTS AND CULTURE

    Returned soldiers mask sorrows with scams

    • Tim Kroenert
    • 25 July 2018
    2 Comments

    This sleight of hand from Albert sets a pattern, as the two go on to collude on an elaborate ruse, selling Edouard's designs for patriotic memorials that they never intend to build. Edouard, having plumbed the depths of opiate addiction, comes alive in the scam, a puckish schemer in a series of elaborate papier-mâché masks.

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  • ARTS AND CULTURE

    Tales of the modern migrant

    • Tim Kroenert
    • 11 July 2018

    'In the Beginning Was the Word' opens with Angelina D'Costa, 'five years to the day after she stopped being a Catholic', entering a church, determined to confront a popular priest who is known to have covered up for another priest who abused children; only to be moved to submission by the familiar beauty of the Mass.

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