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The coronavirus pandemic has been utilised by Latin American governments — prominent examples being Brazil and Chile — to militarise societies, criminalise resistance and normalise violence.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
For decades, the UN issued non-binding resolutions and condemnations regarding Israel’s colonial expansion over Palestinian territory. As Israel gears towards implementing its annexation plans, which will see around 30 per cent of territory from the occupied West Bank falling under Israeli sovereignty, Palestinians stand to continue the cycle of territorial loss, internally forced displacement, and a deterioration of what remains of their rights.
Daddy Cool is a thoroughly absorbing biography, witty, astonishing, often intensely moving, effortlessly in charge of a crowded and potentially confusing canvas (readers of a certain age will recognise names like Jack Davey, Roy Rene, Dick Bentley, Willie Fennell).
The streets were packed there were thousands of people there to march in solidarity with us. It was so incredibly heartening. Australia is growing. The only time I have felt this atmosphere was in Sydney in the 1988 march on Australia Day. But this time was different very different it was predominately young people under the age of 30. They get it, they do see it.
Letter from Eureka Street.
Alan Jones has never shied away from controversy. Relentlessly pounding various positions for decades, he has remained, till his recent announcement that he would be retiring, immoveable. He ducked accusations; he prevailed in the face of storms and juggernauts. At Sydney radio station 2GB, he maintained a degree of authority from the fear of politicians.
Jacinda Ardern: A new kind of leader is crisp and sharp, explaining the optimism that launched a millennial (and only the second world leader to ever give birth in office) into the highest public office of her land.
After building a reputation for foreign intervention and collateral damage — the most recent example being Libya — the North Atlantic Treaty Organisation (NATO) is asserting its influence during the COVID-19 pandemic, this time by exploiting the humanitarian paradigm.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
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