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Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
It’s tempting at this point to blame 2020 for the almost comically bad situation we are facing right. But here’s the thing: this isn’t bad luck or even some kind of testament to the power of numerology. This dire situation was entirely predictable and even, sadly, entirely preventable. We walked right into it — or, at least, we allowed ourselves to be led here.
The objections to the legislation focus correctly on the infringement of human rights. That phrase, however, is bloodless. It might suggest that rights form a list to be ticked off. Human rights are better conceived as a way of speaking about the conditions necessary for people to live decent human lives. The proper place from which to reflect on them is the actual lives of the people who are affected.
The coronavirus pandemic has been utilised by Latin American governments — prominent examples being Brazil and Chile — to militarise societies, criminalise resistance and normalise violence.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
For decades, the UN issued non-binding resolutions and condemnations regarding Israel’s colonial expansion over Palestinian territory. As Israel gears towards implementing its annexation plans, which will see around 30 per cent of territory from the occupied West Bank falling under Israeli sovereignty, Palestinians stand to continue the cycle of territorial loss, internally forced displacement, and a deterioration of what remains of their rights.
Daddy Cool is a thoroughly absorbing biography, witty, astonishing, often intensely moving, effortlessly in charge of a crowded and potentially confusing canvas (readers of a certain age will recognise names like Jack Davey, Roy Rene, Dick Bentley, Willie Fennell).
The streets were packed there were thousands of people there to march in solidarity with us. It was so incredibly heartening. Australia is growing. The only time I have felt this atmosphere was in Sydney in the 1988 march on Australia Day. But this time was different very different it was predominately young people under the age of 30. They get it, they do see it.
Letter from Eureka Street.
Alan Jones has never shied away from controversy. Relentlessly pounding various positions for decades, he has remained, till his recent announcement that he would be retiring, immoveable. He ducked accusations; he prevailed in the face of storms and juggernauts. At Sydney radio station 2GB, he maintained a degree of authority from the fear of politicians.
Jacinda Ardern: A new kind of leader is crisp and sharp, explaining the optimism that launched a millennial (and only the second world leader to ever give birth in office) into the highest public office of her land.
After building a reputation for foreign intervention and collateral damage — the most recent example being Libya — the North Atlantic Treaty Organisation (NATO) is asserting its influence during the COVID-19 pandemic, this time by exploiting the humanitarian paradigm.
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