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Keywords: Jackson

  • ARTS AND CULTURE

    The indispensable joy of time spent alone

    • Neve Mahoney
    • 24 April 2019
    9 Comments

    It's liberating to buy a ticket for one. To not have to coordinate times with someone, but do things by my own schedule. To go see the niche movie none of my friends wants to see, or the art exhibition I forgot was in town until its last day. But alone time isn't just something I do because I like it. I need it.

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  • INTERNATIONAL

    Anzac discomfort after Christchurch

    • Daniel Kleinsman
    • 18 April 2019
    27 Comments

    As I wait to be reunited with my fiancée from Afghanistan, my discomfort is heightened by New Zealand's involvement in her country, and by an awareness of her sense of persecution, as a Muslim, after the Christchurch massacres. I do not feel able to partake in any traditional ANZAC service, as if nothing has changed.

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  • ARTS AND CULTURE

    Approaching the turnstile

    • Ross Jackson
    • 14 January 2019
    1 Comment

    If, when called upon at eighty years of age, I cannot prepare a sandwich, make a mess of my words, I fear that the thought may occur: I have my Seniors Card but I have no legacy, and I have no Torah, I have no Bible, and I have no Koran.

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  • ARTS AND CULTURE

    Strolling for dummies

    • Ross Jackson
    • 12 February 2018
    2 Comments

    I am so pressed by memories poached in warm air, that I step a good way around circling pavement ants. Though experts say nothing positive about the world, despite the encroaching dark I might just pin badges of purple hibiscus flowers on anyone to hand.

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  • ARTS AND CULTURE

    Alienation and angst in the age of Instagram

    • Tim Kroenert
    • 25 October 2017
    1 Comment

    On the face of it, it's a cautionary tale against relying on social media as a source of relationships and self-identity. That's a fairly retrograde take-home though, and the film is actually more than that; it's an exploration of loneliness and isolation that is universal despite a context that is very much of this moment.

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  • ARTS AND CULTURE

    Spider music

    • Chris Jackson
    • 17 July 2017
    1 Comment

    I am, of course, a spider: my obstinacy, a viola; my gossamer back-and-forthing, woven ruminations of a violin. Watch me, busy always to continue a spider's life. All things love the little kingdom they inherit. This is home, intricate with fetched fidget, this scratchy bow-flight is a busy cello urging me to tracery, all tossed about in winds of orchestra.

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  • ARTS AND CULTURE

    Clues so far to the magic in reality

    • Darby Hudson
    • 08 May 2017
    4 Comments

    Repeat your name over and over and it doesn't make sense. Being able to hear your name across a noisy crowded room. Being able to see things in the dark by not looking at them directly. Walking down an old path brings back a conversation you had in exactly the same location years ago. Your handwriting looks exactly like your father's. Revisiting a childhood park destroys the memory and paves over it with the newer, boring adult memory. When you chase something you can't have it.

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  • AUSTRALIA

    Netanyahu visit drives the Palestine wedge deeper

    • Andra Jackson
    • 22 February 2017
    15 Comments

    Israeli Prime Minister Benjamin Netanyahu's visit to Australia this week is having precisely the opposite impact to what he no doubt intended. Instead of shoring up support for Israel's flagrant disregard for United Nations resolutions condemning its continual annexation of Palestinian land, it is driving a deep wedge into what was previously unflagging bipartisan Australian political party support for Israel. Australia's connection with Palestine actually predates the creation of the state of Israel.

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  • ARTS AND CULTURE

    Space race saga's Black history through White eyes

    • Tim Kroenert
    • 14 February 2017
    1 Comment

    There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 09 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • ARTS AND CULTURE

    Moonlight conventions

    • Ross Jackson
    • 06 September 2016
    2 Comments

    I put in my journal: 'a full moon tonight, crisp and splendidly clear for our walk around the shore and back to the resort' ... What did the Israeli professor remark? 'It bodes well on Hoshana Rabbah that we are casting shadows in moonlight.' Though our Chinese friend had little to say following this evening's lecture, he was right about the yellow plum at the bottom of the lake.

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  • ARTS AND CULTURE

    Not-so-nice guys have sexist cake and eat it too

    • Tim Kroenert
    • 26 May 2016

    As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.

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