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Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
I have been thinking for several months about fathering and wisdom. To my surprise, I found some of Marcus Aurelius’ truisms to be reflected, if erratically, by the pronouncements of my own pater familias, Kenneth Hugh Gittins.
With all its good intentions and charming participants, Love on the Spectrum is for the neurotypical eye. Just like The Undateables, a similar show from the UK, it takes the inner machinations of disabled lives and creates entertainment for non-disabled viewers. Autistic representation on television is rare, which makes it all the more alienating when these few depictions exist purely for everyone else’s warm-n-fuzzies.
In recovering from catastrophic events, we need to look beyond the simple defining of problems, finding solutions that match them and naming agencies responsible to fix them. We need to be curious about the persons involved, their interlocking relationships which have contributed to the trauma and the possibilities for healing within those relationships.
Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
Reports of the rain are weak front, then strong. Sunshine headline news, or so it appears. I whisper the tune from a scratchy disc. Maybe Tuesday will be my good news day.
Already the ideological die-hards of neoliberalism are working out how the pandemic might be manipulated to lower wages and to snap back to the old economic normal. So now is when collectively we need to take over the framing and the forming of the future. Not to snap back but to spring forward.
While there have been endless social media posts, political campaigns and the like about staying safe by staying at home, I have been concerned about the many people who are not safe at home and what this may mean to them. What will this mean for the woman who’s been living with a domestic violence perpetrator for years?
It’s a stressful and anxious time for many people. Yet, the expression to ‘look for the helpers’ whenever a crisis occurs is an apt one in this situation. People are looking for social connectivity and ways to express kindness to others in practising social distancing under direction of medical experts.
A laptop or tablet and the internet are not universally available to Australian students. In 2016-17, 1.25 million Australian households lacked the internet home connection that’s required to make full use of online learning platforms like Class Dojo, where my daughter’s class is congregating during the coronavirus lockdown.
I remember, in the small hours, a spill of arcane patterns on the glass — heart-sparks treasuries of hallowed grief, of yet-to-be-lived hope, sequestered in the infinite.
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