Keywords: Youtube
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ARTS AND CULTURE
'Faith is 24 hours of doubt and one minute of hope,' says one of the nuns at a 1945 Polish convent. Soon Red Cross doctor and avowed atheist Mathilde learns the details of the predicament: of the terror wrought at the convent by Russian soldiers at the end of the war. Over the coming weeks, she oversees the health of those who fell pregnant during the intrusion. Gradually she wins their trust and, in the process, has her mind opened to a brand of faith that, in such circumstances, can be anything but blind.
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AUSTRALIA
Next year marks four decades since promulgation of the seminal Declaration of Alma Ata, which declared health to be a fundamental human right and laid the foundations for what are now widely championed as the social determinants of health. Without action on the social determinants, health policy can be a little like that joke about the cyclopean orthopod who, when confronted with a patient suffering fatal internal bleeding, is interested only in fixing their broken leg. So it is with last week's Budget.
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ARTS AND CULTURE
- Tim Kroenert
- 19 April 2017
1 Comment
Cynical about the prospect of any kind of afterlife, Maureen nonetheless spends time holed up in an old Parisian mansion, trying to commune with the spirit of her dead twin brother. She is employed by a difficult and demanding fashion model as a personal shopper; literally, she spends her paid working days buying clothes, shoes and jewellery for someone else. The juxtaposition of the pure materialistic focus of this work, and her doubt-riven incursions into the spiritual realm, is intriguing.
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MEDIA
- Francine Crimmins
- 10 April 2017
3 Comments
Pepsi's advertisement has been accused of appropriating the struggle for race and gender equality in the name of its product. It makes sugar filled drinks seem like the key to stopping police brutality against people of colour, and simplifies the way people engage and make change in the world. The image of Kendall Jenner approaching police has been compared to the actions of Black Lives Matter protestor Leshia Evans. While Jenner manages to strike up a friendship, Evans was thrown to the ground.
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ARTS AND CULTURE
- Tim Kroenert
- 30 March 2017
1 Comment
A film about a lonely widower who repeatedly attempts suicide seems like a grim proposition. Ove has suffered one too many blows in his life, the latest being the loss of his job. He finds himself at a loose end, if not purposeless. He is the self-appointed overseer of the gated community where he has lived for years, enforcing protocols of behaviour among his terrorised neighbours. Now he's had enough, and decides to join his beloved wife Sonja, in eternity. But dying doesn't come easily to Ove.
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ARTS AND CULTURE
- Tim Kroenert
- 22 March 2017
All stories that deal with time travel will come up against paradoxes. Generally the success of the story will come down to how capably these paradoxes are dealt with, and how consistently with the story's internal logic. Otto Bloom turns on the concept of time as an extension of the physical dimensions. If time is as tangible as physical space, then all events in time are occurring simultaneously. That we perceive time as moving in a particular direction is a feature of our human consciousness.
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AUSTRALIA
Last week, an interview by the BBC with a scholarly expert on Korea was interrupted by the scholar's young family. What fascinated me most was the assumption in certain commentaries that the woman in the video was the nanny. Or, even when that was resoundingly countered, that there would be trouble for her when the interview was over. Because she is Asian, and her husband is white. And we all know what that means, right? Whether she's the nanny or the wife, she must be oppressed.
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ARTS AND CULTURE
- Tim Kroenert
- 15 March 2017
1 Comment
The power of Jones' film comes from bringing us the faces and voices of the victims in the present day; to hear in their words and see in their manner the ongoing trauma of those experiences. It is a timely and illuminating exploration of the impacts of child abuse, arriving during a period when many of our Australian institutions, religious and otherwise, have been facing the probing spotlight of a royal commission for behaviour that was at times equally as secretive, and traumatic.
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MEDIA
- Neve Mahoney
- 09 March 2017
5 Comments
Last Monday, there was a Q and A discussion about feminism and women's rights. On the panel was Thordis Elva, an anti-violence campaigner known for hosting a TED Talk with her rapist Tom Stranger. The debate emulated my own internal monologue. Is there a place for rapists in the conversation about rape? Did I want to hear what a rapist had to say? At the time I was on the phone to someone close to me who had been sexually assaulted in the past. Would I want her anywhere near her rapist again?
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ARTS AND CULTURE
- Tim Kroenert
- 08 March 2017
2 Comments
Mildred would later say of Frank that 'he always took care of me'. Yet this telling of the story shows a more mutual exchange of strength and support than such a statement might imply. The Lovings' entanglement with the state of Virginia would ultimately lead to constitutional change in favour of interracial marriage, and Loving portrays Ruth as the main agent of the battle. At a time when cultural appropriation has become much talked about, this film by a white filmmaker shows a different way.
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ARTS AND CULTURE
- Tim Kroenert
- 22 February 2017
6 Comments
It is the story of two 17th century Portuguese Jesuits who travel to Japan to locate their former mentor, who is said to have renounced his faith, and to spread Catholicism. They find the local Christian populations have been driven underground, under threat of torture and execution. The lesson they come to learn against this fraught backdrop is that the living out of religious faith and the strengths and limitations of ordinary humanity cannot be considered in isolation from each other.
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ARTS AND CULTURE
- Tim Kroenert
- 14 February 2017
1 Comment
There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.
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