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Having worked in closed organisational systems like Victoria Police and various government departments, I have often reflected on how and at what point organisations and their employees become comfortable with the belief that their ideas and attitudes are better informed than those of the general populous - and that their survival is more important. A very stark example of this are the recent court decisions relating to the Hillsborough Stadium disaster in 1989, where 96 people were killed.
Lesbos is famous for crossing boundaries. It was the home of the poet Sappho and the tender, delicate lyrics dedicated to the woman who was her lover. More recently it has been the home of refugees who have crossed from the murderous conflict in Asia. Pope Francis is also as famous for crossing boundaries as we Australians are for patrolling them. He is reinventing the papacy as a one-man barbed-wire-cutting team. So it is not surprising he decided at short notice to cross into Lesbos.
When a remote valley in the north of Iceland is struck by an outbreak of scrapie - a fatal, degenerative disease that affects sheep - Gummi, Kiddi and their farmer neighbours must face the prospect of conducting a mass slaughter. This is very much a communal crisis, and a consideration of the socioeconomic hardships of traditional Icelandic sheep farmers in modern times. But it's also a teasing-out on the personal level of Gummi and Kiddi's emotional and practical responses to this turn of events.
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
'On his last two visits to Latin America, Pope Francis has focused on past and present relationships between indigenous peoples and their colonisers. This Jubilee Year of Mercy perhaps it could be a blessed moment for Aboriginal Australians and descendants of their colonisers to walk together through the Door of Mercy at the St Francis Xavier Cathedral, calling to mind the sins and endeavours of the past, the achievements and commitments of the present, and the hopes and aspirations of the future.' Fr Frank Brennan SJ, Lenten Talk, Norwood Parish, 3 March 2016
A feeding frenzy is afoot over the review of Safe Schools program. At the same time poor old George Pell is under attack for failing to observe that his Ballarat colleagues were prolifically enabling Ridsdale and other pedophiles to sexually abuse little boys. The prurient desire to control the sexual interests of others on the one hand, and on the other the gross failures by institutions to protect vulnerable children in their care, are sadly linked to an unwillingness to face the truth about human sexuality.
Nobel Laureate Isaac Bashevis Singer often made his characters ask the eternal questions, chiefly Why do we suffer? I can't profess to have any answers to this, except that it is obvious that 'time and chance happeneth to all'. Two examples of such happenings are the huge numbers of ill-fated refugees fleeing Syria and other trouble spots, and the needless death of young Sarah Paino of Hobart, wife and mother, who was killed when a speeding stolen car crashed into hers.
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
There is a culture of brotherhood in the upper echelons of the Church. There is also a natural urge to homosocial reproduction in its instrumentalities. If I have learned anything from my work with companies and organisations on cultural change, it is that these comfortable cultures need to be broken up, because they are readily corrupted. The best way to change a culture is to start giving women positions of real influence and respect. They are outsiders, and outsiders see what insiders cannot.
If a three-year-old likes bears, you are into bears for the foreseeable future. Bears have been around since before there were pencils, my young friend said, which is inarguably true, and not something I had ever considered before. When we talk about what is lost in a world in which wilderness is lost, we never talk about the loss of the life we imagine. When there are no bears in the world, then no children will dream of bears, and draw bears, and sleep with bears, and that will be a terrible shame.
'I joined the Jesuits in 1975 just as the previous 32nd General Congregation (GC32) was concluding. Pedro Arrupe was at the height of his powers. That Congregation asked the question: 'What is it to be a companion of Jesus today?' and answered unequivocally, 'It is to engage, under the standard of the Cross, in the crucial struggle of our time: the struggle for faith and that struggle for justice which it includes.' I have always regarded myself as a GC32 Jesuit. Many of those who gathered for GC33 thought that the GC32 mission was a little too one-dimensional. I suspect Bergoglio was one of those.' Frank Brennan on the eve of the Catholic Church's Jubilee Year of Mercy.
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