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Keywords: Film

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    A heartbreaking tribute to the work mothers do

    • Tim Kroenert
    • 16 May 2018
    2 Comments

    Tully is a funny film, with a serious core: a tribute to the labour of child rearing, a dissection of the substantial physical and emotional burden of this work, and a 'show-don't-tell' critique of the social norms that frequently sees that burden fall, still, primarily on women.

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  • ARTS AND CULTURE

    Confronting fear on the cusp of manhood

    • Tim Kroenert
    • 09 May 2018
    2 Comments

    The boys conquer one hazardous feat after another: entering the ocean via rocky cauldrons; sharing waters with a mythic giant shark; tackling waves that rear up over a deadly shallow reef. In so doing they confront their fears: of physical peril; of failing, or failing to meet the expectations of the group; of existential ordinariness.

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  • ARTS AND CULTURE

    Loveless in Russia

    • Tim Kroenert
    • 19 April 2018
    1 Comment

    A grim and gripping tragedy on this personal level, as a whole Loveless functions also as a metaphor for political life in contemporary Russia. The fatal fracturing of its relationship with its neighbour Ukraine provides a backdrop and, for the degeneration of Zhengya and Boris' marriage and the resultant alienation of their son, a touchstone.

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  • ARTS AND CULTURE

    Another dog day for cultural appropriation

    • Tim Kroenert
    • 11 April 2018
    1 Comment

    The commentary around the film's appropriation of Japanese culture has been sustained and substantial. At least these allusions are for the most part detailed and respectful; that the hero is named after a defunct American video game company is less palatable. Trickier still are the creative decisions related to language.

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  • ARTS AND CULTURE

    Gay teens and white privilege

    • Tim Kroenert
    • 04 April 2018
    4 Comments

    For gay teens and those who known them, the film is vitally affirming. But there's baggage that comes with its treatment of these themes that undercuts its efforts to engage the experience of alternative sexual orientation. Simon may be gay, but he is also explicitly a privileged white man.

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  • ARTS AND CULTURE

    Women's divine rights

    • Tim Kroenert
    • 23 March 2018

    We know how this is going to turn out historically: the 1971 referendum is successful. There is a certain quaintness to the film that makes it feel off the pace of the current conversation around women's rights. But there is an engaging frankness to its attention to the sexual liberative dimension of women's self-agency.

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  • ARTS AND CULTURE

    New ways of gauging films' feminist cred

    • Neve Mahoney
    • 22 March 2018
    1 Comment

    The Bechdel test, which deems there must be two named female characters who talk to each other about something other than men, has become shorthand for gauging gender imbalance in films. But it isn't always a good test. If you take the rules literally, Suicide Squad, which is aggressively misogynistic, passes on a technicality.

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  • ARTS AND CULTURE

    God in the cell

    • Tim Kroenert
    • 16 March 2018
    2 Comments

    Kane insists God doesn't make mistakes: 'That's what makes him God.' Lena retorts with reference to the Hayflick limit — the naturally occurring limit on the number of times cells can divide. Never mind cancer; the very fact of ageing, she says, comes down to a flaw in our DNA. It's a telling scene, pointing to a scientifically enlightened humanity at odds with its own physiology.

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  • RELIGION

    Win tickets to Paul, Apostle of Christ

    • Staff
    • 09 March 2018

    'Two men struggle against a determined emperor and the frailties of the human spirit in order to live out the Gospel and spread their message to the world.' Eureka Street has ten double in-season passes to give away to Paul, Apostle of Christ. Click below for details.

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  • ARTS AND CULTURE

    Rights, obligations and the art of caring

    • Tim Kroenert
    • 07 March 2018
    1 Comment

    Last year Brooklyn Museum exhibited radical 20th century works by American women of colour alongside The Dinner Party, a 1970s Second Wave feminist piece noted for its white, middle-class preoccupations. The resonance of this pairing illuminates the plight of Christian, hero of the Swedish art-world farce The Square.

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  • AUSTRALIA

    Where have all the arts ministers gone?

    • Eliza Berlage
    • 02 March 2018
    1 Comment

    Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.

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  • MEDIA

    Sympathetic men need to check their privilege

    • Catherine Marshall
    • 01 March 2018
    7 Comments

    While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.

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