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After decades of cinematic highs and notorious flops, Francis Ford Coppola self-financed this grand spectacle — his boldest gamble yet. But in a film landscape that favors safe bets, can Megalopolis rise to the occasion, or will it be a final, glorious folly from one of cinema’s greats?
If you care about theatre and film and television you should be grateful to have lived at the same time as Maggie Smith. She was an artist of incomparable power and nuance, of tremendous wit and complementary poignancy. The Harry Potter kids are lucky to have experienced such style and know-how and grace.
In the early 20th century, the Salvation Army emerged as a dominant player in the nascent film industry. From pioneering filmmaking techniques to navigating the first moral dilemmas around film censorship, their cinematic journey is a fascinating, often-forgotten chapter in film history.
Gerry had a wonderful way of making people feel welcome. He wanted to see people at their best and his company allowed others to be so. Gerry’s life was peopled by some of the most significant figures in the global Church, and in political and cultural society more broadly, but he wore those connections lightly.
The Lion King roared onto screens 30 years ago, capturing hearts unlike any Disney film since. But as the entertainment giant stumbles, it's worth considering the enduring magic of Simba's story and why modern Disney has struggled to recapture that spark.
Blanche DuBois is a character defined by her fragility, and her descent into madness is a harrowing testament to the pressures of a society that offers little mercy to women. But when Blanche is portrayed as a figure of power and defiance, she lacks the vulnerability of her predecessors and the logic of her descent into ‘madness’ isn’t as clean-cut.
For a long time now, John Grisham has been part of the air we breathe. He's one of those writers who’s all things to all people. His latest Camino books are books about books; a form of meta crime writing and you have to admire the move on the chessboard they represent. Can John Grisham be self-reflexive?
It's been eight months since the Voice referendum, and people are starting to grapple with what its defeat means for Australia. There are few voices in Australia as qualified to conduct a postmortem of the outcome of the Voice referendum campaign as Frank Brennan. We examine what lessons can be learned and crucually, whether there’s reason for hope for Indigenous constitutional recognition.
With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.
What's the appeal in Australian noir crime fiction? The genre has always been popular in Australia, and Australian writers of crime fiction have always had plenty of material to draw on. Led by authors like Garry Disher and Jane Harper, it has experienced something of a renaissance during the last decade.
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Jerry Seinfeld makes his directorial debut with Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
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