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ABC management is compliant with the Government in foreshadowing cuts to programs it considers expensive and expendable, thereby shielding the minister from public criticism and from having to justify the blood-letting. Perhaps it need not bother doing the Government’s dirty work, as Essential polling has revealed that a majority of Australians is worried about cuts to the public broadcaster. If the government is more driven by polls than ideology, it will go easy on the ABC.
The research sector in Australia is increasingly one marked by casualisation and disappearing career paths. The depressed nature of working in this environment means that the very people who we'd want to solve our society's most crucial, pressing issues are the ones who will be looking elsewhere to establish their careers. How do we equip our community with better ways to live, work and connect without research? Where will answers to persistent problems come from?
When journalist and activist Barbara Ehrenreich was a young woman she came face to face 'with something vast, terrifying and unknowable'. We mustn't take for granted the courage this admission took coming from such a committed atheist. While noting science can 'dismiss anomalous 'mystical' experiences', she wrestles her discontent into submission by boldly declaring that it 'is not unscientific to search for what may not be there'.
As I scanned the actor profiles for the new Star Wars film, it became apparent that no brown actress was among them. The mythology George Lucas created 40 years ago remains predominantly male and white. What happens when brown women are kept out of the picture is that their invisibility is normalised. We are not seen to contribute, much less lead. This is not harmless. It makes our presence in society incidental. Dispensable.
In 1983, when his yacht Australia II won the America's Cup, Alan Bond hailed the feat as the greatest Australian victory since Gallipoli. His ludicrous misspeaking shows that by the 1980s the mythmakers' interpretation of the significance of Gallipoli was dominant. But the notion that the Diggers of Gallipoli and their successors in subsequent wars are somehow the paramount exemplars of Australian virtues does not survive scrutiny.
'We should abandon talk of taking Australia off the table. We should also abandon talk of taking the sugar off the table. The collateral damage of that is too great. The best we can do ethically and practically is to put the sugar out of reach while leaving it on the table for those who make it here with a visa or in direct flight from persecution.' Frank Brennan contributes to a Palm Sunday panel at St Michael's Uniting Church, Melbourne.
I reject the dystopian vision of an Australia where people experiencing poverty are made to endure expenditure cuts while the people who have the least need for assistance enjoy overly generous tax concessions. From time to time someone comes out of the woodwork and accuses me of being a communist but that's the least of my worries. What worries me is the myth that people living in poverty are to blame for their own situation.
A new film follows the experiences in 1961 of German-American Jew and political theorist Hannah Arendt, who coined the phrase 'the banality of evil' in relation to Nazi 'desk-murderer' Adolf Eichmann. The cerebral nature of Hannah Arendt provides a counterpoint to another current film about a strong, flawed woman: Gloria is remarkable for the way it unabashedly honours the emotional and sexual lives of its older characters.
The appearance at the end of Francis' first year of Berlusconi's new magazine, Il Mio Papa, is testimony that the Pope is now mythical, a celebrity, and that the myth can be manipulated, marketed and monetised. It is difficult to give an accounting for celebrities, but merely popping their balloon also misses what in them attracts popular attention. So it is with evaluating what is distinctive about Francis and what he has contributed to the Church.
Alcohol has a privileged place in polite society. All mood changing substances rely on a myth of a better life and relationships, but the alcohol myth is distinctive because it is rooted in high as well as in popular culture. Attempts to regulate its consumption and limit the damage it does will therefore always be unlikely to succeed.
'Don't mention the war!' admonishes John Cleese as the hapless hotelier Basil Fawlty in the classic television comedy series Fawlty Towers. With a string of war-related anniversaries to take place over the next four years, beginning this year with the centenary of the outbreak of the First World War, we may soon find ourselves sharing Fawlty's sentiments.
Those who object to Indigenous people being called 'apes' and to white men painting themselves black are dismissed as being politically correct and denying free speech. But how can Adam Goodes choose not to be offended by comments conceived for the very purpose of justifying crimes against the racial group to which he belongs?
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