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The Catholic Social Justice Statement embodies this generous vision. Its title emphasises the gift that each human being is, and the blessing that is mental health. Health is not to be taken for granted as an entitlement but accepted and nurtured as a gift.
While I was musing I heard scratching noises, faint, bothersome, at the mind’s edge, rather like mice nibbling and scuttling, or polter-somethings working through the ceiling. Then my nostrils tingled — hints of a smell, or one remembered or imagined.
I would like here to reflect on the relationship between accountability and other essential aspects of public life: reflection, responsibility, and praise or blame with their attendant punishment and reward. The order and priorities within these need to be respected both in government action and in public comment.
The Stage Four lockdown announced by Daniel Andrews on Sunday shows how precarious it is for working mothers. When the going gets tough; our jobs outside the home are expendable.
Craftsmanship is a way of seeing and understanding mediated through touch and feel and the body. While the finished product or the stated goal are important, the process — as an act of learning, making mistakes, experiencing both frustration and satisfaction — is equally (if not more) important.
He enters a university library at thirty-five feeling like an imposter, rougher-hewn from suffering than most students, wrapped in an aura he thinks religious pilgrims experience shuffling along echoing naves of Gothic cathedrals, sombre, joyous.
America has lost the proxy war in Syria and is now looking at punishing ordinary Syrians for the actions of the Syrian government. The so called ‘Caesar Act’, officially known as the Caesar Syrian Civilian Protection Act, aims to cut off multilateral or direct commerce with Syria’s ruling Baath party, effectively inducing record inflation, poverty and market exclusion.
This Refugee Week, many asylum seekers and refugees are struggling to survive the COVID-19 pandemic. Some are trapped in immigration detention centres across the country in cramped and overcrowded conditions that make physical distancing impossible. Others are living in our community on temporary visas or no visas at all, struggling to make ends meet.
2020 has been the year of the mask. The masks worn during the smoke of bushfires, during the threat of COVID-19, and during the Black Lives Matter protests. Masks are a powerful and complex symbol.
But just as the frighteningly precarious nature of our lives has been thoroughly exposed, so too has the inequality of it all. Even in a pandemic, we aren't all suffering equally. Even in a pandemic, structures of privilege continue to operate.
What turned out to be extraordinary was the familiarity of the subject matter, and the routines that Camus makes the authorities of the plague-ridden Algerian town Oran put in place: the quarantine, the isolation hospitals, the attempts to develop a vaccine, the volunteer health workers, and the way in which funerals were conducted in haste.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
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