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There are more than 200 results, only the first 200 are displayed here.
For a long time now, John Grisham has been part of the air we breathe. He's one of those writers who’s all things to all people. His latest Camino books are books about books; a form of meta crime writing and you have to admire the move on the chessboard they represent. Can John Grisham be self-reflexive?
It's been eight months since the Voice referendum, and people are starting to grapple with what its defeat means for Australia. There are few voices in Australia as qualified to conduct a postmortem of the outcome of the Voice referendum campaign as Frank Brennan. We examine what lessons can be learned and crucually, whether there’s reason for hope for Indigenous constitutional recognition.
With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.
What's the appeal in Australian noir crime fiction? The genre has always been popular in Australia, and Australian writers of crime fiction have always had plenty of material to draw on. Led by authors like Garry Disher and Jane Harper, it has experienced something of a renaissance during the last decade.
Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
What are we to make of the enthusiasm that led to the discovery of the bus once used in The Adventures of Priscilla, Queen of the Desert and the plan to restore it for a remake, thirty years later?
Freud’s Last Session pits the famous psychoanalyst Sigmund Freud against Christian apologist and author C.S. Lewis, a powerful concept, given the sheer cultural heft of the two historical figures.
Featuring a stellar cast of Hollywood’s finest actors, Apple TV's Extrapolations was a bold attempt to center a TV narrative around the dangers of our future on a warming planet, yet failed to capture audiences. But where Extrapolations failed as an effective cautionary tale for society, it may have succeeded as one for filmmakers.
In Barbie, director Greta Gerwig maps out a journey from naive pink utopias to poignant real-world challenges. Drawing parallels from the 1960s Twiggy phenomenon to today's elusive ideals of feminine success, Gerwig's film becomes a mirror to our society's ever-shifting landscape of female identity and aspiration.
When chief film critic for The New York Times left his dream job after 23 years, he blamed the lack of original and imaginative work in an industry dominated by conglomerates. While many are lamenting the state of film, the question remains: what does it mean for an art form to diminish?
Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
We all know the Internet can be a seething cesspool of vitriol, so the presence of heart-warming videos of people slipping $20 into someone’s coat pocket or randomly complimenting a stranger, even the ubiquitous handing out of flowers, is largely welcome. But is this actually kindness? If an act of kindness happens and no one is there to film it, did it really happen?
1-12 out of 200 results.