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There is not sufficient focus on the underlying drivers of sexual assault, harassment and other types of violence. Instead of people reverting to phrases like ‘boys will be boys’ to explain or excuse a hurtful comment or action, as a society we must do more to understand where these behaviours originate and work to prevent them.
We need to encourage parents to have these conversations with their children, and earlier, around Years 8 and 9, rather than later. And I suspect we need to encourage boys to talk more with sisters, girlfriends, friends who are girls and good mates about consent.
All three of us are parents, we’ve all been adversely impacted by COVID-19, and prior to that we’ve shared the usual rough and tumble dynamics of male friendships and bridal party affiliations. We have been in and out of each other’s good books, hard conversations, interpersonal dynamics and orbits. We’ve been through a lot as mates. COVID-wise, though, that affinity has been at a remove.
Come the next set of lights, you won't remember what I look like. You'll all go back to your lives thinking about your wives, girlfriends, kids, parents, brothers, sisters, lovers, friends, husbands, boyfriends, whoever, not me. But I needed a night out in the city and the city spoke back to me when I had no one else to spend the night with.
If we want to renew religious language and images we must begin with attention to the words we currently use, noticing their resonance as well as their meaning. It is then important for the language of prayer and reflection to be grounded in deep contemporary experience.
He came in, sat down, and we talked about Henry Lawson. He was well read in the field, having encountered Lawson not only in a small way at school but especially at home where his mother had given him an anthology of Australian stories and he’d come across ‘The Drover’s Wife’. We hit it off: he was pleasant, engaging and witty and we resolved to continue our talk in the near future.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
The Stage Four lockdown announced by Daniel Andrews on Sunday shows how precarious it is for working mothers. When the going gets tough; our jobs outside the home are expendable.
These statues form part of the rich texture of our daily lives, personal histories and cultural environment. They invite tolerant smiles rather than scowls. This article celebrates a selection of friendly Melbourne statues that have reflected places where they and I have stood. It invites you to make your own selection.
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