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No one on either side of the debate wants to see people suffer and the euthanasia debate is not about if we will die — we all will at some point. The debate is about how we will die and whether some ways of dying, namely euthanasia, are unethical and dangerous, especially to vulnerable and fragile people, and destructive of important shared values on which we base our societies.
Like the best religious poetry, Dylan’s works resists easy interpretation and remains open to endless meditation. Dylan’s overtly political songs — ‘Hurricane’, ‘Political World’ — and love songs — ‘Idiot Wind’, ‘Tangled up in Blue’ — have often been challenging. It’s the same with his religious output.
The parallels with our own times of the events of Black Friday in 1921, with its movement from a time of heavy social spending and the flowering of social capital to a time of recovery, and the fateful choices that are made at such times, are evident. We await the results of the economic choices being made by government and their effects on community and solidarity.
I am a refugee from Afghanistan, and I belong a minority ethnic group, the Hazaras. We have been persecuted for a long time because of our ethnicity, religion and values. In 2012, I was forced to leave Afghanistan. I was 17. Back home, my father was a medical doctor. The Taliban accused him of working with international armed forces in the country at the time. One day the Taliban took him away, and nobody has seen him since.
Victoria’s Yoo-rrook Justice Commission, a truth-telling inquiry that will investigate injustices committed against Aboriginal Victorians since colonisation, rightly looks to similar models in South Africa and Canada. Each of these also had a clear Indigenous focus and addressed the ravaging impact of white settlement on traditional lands, cultures and communities in their respective countries.
The young in Myanmar have no personal memory of those events of 1988 and 2007. They are Generation Z, raised on the internet and with new ways of communicating. Their emotions overcome fear. Gen Z meets the deadly threat with humour and creative protest.
The exchanges within churches echo trends in national life that heighten disagreements, lessen respect, and tend to confine conversation circles to people of similar views. People become annoyed if those opposing their views gatecrash their forums. This trend creates problems for Church sponsored publications.
This week is the fortieth anniversary of the death of Ita Ford and Maura Clarke in El Salvador. An event distant in place and time, but worth remembering and honouring in its distance. And also worth reflecting on for its significance for our own time.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
Whereas the Vatican II document sought to engage with, and to respect, the autonomy of the modern world and its science, only too many of the Vatican’s official statements over the past fifty years have effectively resiled from that commitment.
What is often not expected or well understood is the effect of ‘lag time’ aftershocks in our regions following economic crisis. Lag time is an attribute of some rural, regional and remote communities and is most often seen in economically path dependent and single industry communities, many of which of course, comprise RRR Australia.
We have always lived thus, in our heads. Bone domes, impenetrable to others, we might project animus, animation, add to Duncan’s questioning. The mind’s construction in the face, enigmatic, Rubik cube with sixteen squares on each face, so any signs I give are laced, graced with ambiguity.
61-72 out of 200 results.